Writing — Kate Saccone

“(Re)Visioning Women’s Film History: The Women Film Pioneers Project and Digital Curatorial Editorial Labor,” in Doing Digital Film History: Concepts, Tools, Practices, edited by Sarah-Mai Dang, Tim van der Heijden, and Christian Olesen. Berlin: De Gruyter, 2024.
“Hands On: Film Heritage in Transition,” in The Encyclopedia of Film Techniques and Technologies, edited by André Gaudreault, Laurent Le Forestier and Gilles Mouëllic. Co-authored with Giovanna Fossati.
“‘Just a Little Warm-Up for the Job’: Harold Nicholas, The Specialty Act, and the Hollywood Song-and-Dance Man,” in Musicals at the Margins: Genres, Boundaries, and Canons, edited by Martha Shearer and Julie Lobalzo Wright. New York: Bloomsbury Press, 2021.

“The BiographScope: Exploring Early Cinema in an Immersive Environment.” Journal on Computing and Cultural Heritage (December 2024). Co-authored with Giacomo Alliata, Yuchen Yang, Loïc Serafin, Samy Mannane, and Sarah Kenderdine,
“‘Wrath, Witches, and Wondrous Women’: A Curated Program of Lost Films.” Feminist Media Histories vol. 10, no. 2–3 (Spring–Summer 2024).
“Doing ‘Applied Film History’: An Interview with Silent Film Curator Elif Rongen-Kaynakçi.” Feminist Media Histories vol. 9, no. 2 (Spring 2023).
“Filibus (Review).” The Moving Image: Journal of the Association of Moving Image Archivists vol. 22, no. 1 (Spring 2022).
“Research Update: Alice Guy Blaché at Columbia University,” Women Film Pioneers Project, March 2, 2021.
“Le Giornate del Cinema Muto, 39 ‘Limited Edition,’ 2020 – Review.” The Moving Image: Journal of the Association of Moving Image Archivists vol. 20, no. 1–2 (2021).
“Digital (Re)Visions: May Watkis and the Women Film Pioneers Project.” Modernism/modernity, August 17, 2020.
“Alice Guy Blaché at Columbia University: One Hundred Years Later,” Women Film Pioneers Project, August 2, 2017.

“A Camera of One’s Own: Early Women Directors.” Early Women Filmmakers: An International Anthology (Flicker Alley, 2017).